我國(guó)樂理書中的三種音階觀念

1、河南大學(xué)碩士學(xué)位論文我國(guó)樂理書中的三種音階觀念姓名：郭慧穎申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：楊善武2011-04IIIAbstract Three scales concept in our country spread widly and already is generally accepted, and three scales’ propagation and influence directly by the music

2、 is based on theory teaching implement and lay. As long as traditional Chinese music brought different from western music features, it will immediately thought of musical book speak three scales. To know three scales ide

3、a, without from the music basic theory is impossible Lee ChongGuang ,TongZhongLiang, DuYaXiong etc, the music written three academics in our country has certain representativeness and typicality. Lee ChongGuang is the f

4、irst person who made the traditional music contents into ordinary music, in the three scales idea communication aspects as a groundbreaking role; TongZhongLiang etc music teaching material, linked existing theory HuangXi

5、angPeng’s “tong yun san gong“ to the consolidation of three scales concept and played a large role; For DuYaXiong’s traditional music treory, while people mixed, but its books about the theoretical expression in especia

6、lly the changing express ways, will cause us to think and understand about the three scales. This article will take three scales idea for the research objects, the vision of specific locked in ,for three scales concept

7、spread produce take a significant role - musical book, tries to from such as PuLi relevant theoretical expression to the systematic empirical analysis to comb, analyzing the problems appeared. Believe the research of in